
Indy-Pendant is the first column ever written by Brant W. Fowler running from May 2005 to January 2007. It's a focus on independent comics creators, publishers and titles. These are the reprinted archives, which were originally published on www.comicavalanche.com.
[Since this column debuted, Noble Larimer has left Ronin Studios and formed Dial R Studios. Also, some of the books listed below have left Ronin over the years. And finally, I didn't have time to check all the links, so some may be dead. If you find any let me know.]
Week 7 - Originally published on July 16, 2005
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What up my peeps? As you may have noticed, there was no column last week due to computer problems. Rather than number this as Week 8 I figured since it's only the actual 7th column I'd just call it Week 7. Makes sense to me.
This week is a special treat. While all of you are either enjoying Comic-Con (cough-jerks-cough) or missing it and instead reading this column (cough-losers-cough...wait...aw man), I am giving you something to read on one of the hardest working indy studios on the circuit, who just happen to be present in San Diego, Ronin Studios.
Ok, are we ready to get started? Sit back in that swivel armchair, or on that comfy couch for you laptop users, and get ready to enjoy the wonder that is...

Now if you have visited this site before you have undoubtedly read or seen something about Ronin Studios somewhere. Within the pages of this site is a well of information in the form of interviews, reviews, ads and features. If for some reason you haven't, like if you were blinded by the cat going postal because you didn't put her food in the right dish and clawed your eyes out, or something like that, then you're in luck. At the end of this column will be a linked list of Ronin material available for your perusing pleasure on this site.
If you've never heard of Ronin before then you've been missing out. Ronin has produced 22 books since its inception in March of 2004, less than a year and a half ago, which is no small feat when considering this is what the creators do in their spare time. Currently Ronin has over 150 projects in development by over 300 members worldwide, with 30-40 of those on the schedule for the remainder of 2005, 20 or so of those due out in July/August!
Ronin, taking its name from the ancient warriors who challenged tradition and forged their own path in the face of adversity, is a collaboration of efforts by members who have determined to make their mark by any means necessary. It's founder and Editor-In-Chief, Noble Larimer, set out to do just that, being frustrated with trying to break into an industry where there is little room for newcomers. Since March of last year Noble and company have done just that and have taken the indy market by storm, becoming one of the most notable and successful indy studios today.
So where did Ronin come from, and how have they managed to be so successful? Pure drive and determination. These creators wanted to break into the business they all love and make their mark, telling the kind of stories they want to tell and to show everyone, fans and pros alike, their talents. They didn't listen to the naysayer quoting statistics of failed comic industry ventures, or the woes and cries of self-publishing nightmares. They listened to their hearts and determined within them selves to do what most people only dream about - they did something.
In November of 2003, Noble Larimer posted a message on the Bendis (Brian Michael Bendis) Boards, then located on the Image forums, looking for creators to collaborate on a 32-48 page one shot book. By December over 100 creators, including comic pros Greg Horn, Jim Mahfood, Mike Oeming and more, were working on the now 350 page book with proceeds going to ACTOR and the CBLDF to be published by Avatar Press.
While waiting for things to take off, Noble hooked up with Ben Templesmith to work up a pitch for a Ghost Rider: The End six issue mini for Marvel Comics, but nothing has come of it yet.
"The script is completely finished, and Ben is waiting in the wings if Marvel ever comes to their senses. On the plus side, Ben cranked out some eye scorching sample pages which have to be seen to be believed." ~ Noble Larimer
In March of 2004, Gwailo #1 was released through Gregg's imprint, Reaction Entertainment. Meanwhile, trying to harness that magic that brought forth the anthology, Noble posted another message on the Bendis Boards looking to collaborate. This time about 20 creators came forward. The massive charity anthology wasn't going to be ready by Wizard World Chicago, so they set out to work on a new massive title later broken down into what is now Ronin Illustrated.



"So Ronin Illustrated debuted at Wizchicago 2004. And that con has become legendary. There were a good 15-20 people from Ronin that all met up for the first time. A huge Bendis board gathering and drink up, which resulted in a lot of debauchery, some blackmail photos, Mack break-dancing, and Millar pouring vodka into his eyes. Probably one of the best cons I've EVER been to, and I've been going since '98." ~ Noble Larimer
Another factor that attributes to Ronin's success is the environment of the company. Though many of its creators are miles and miles apart, each one of them is there to help the other out. All of them pitch in when and wherever they can, doing what is needed to help keep Ronin on the map and in the faces of readers. It's a rare thing to find in a company with as many members as Ronin has, and it's what sets them apart from the majority.
"I've had quite a few industry professionals tell me that Ronin Studios is what Image comics promised to be but never quite was. I think that sums us up pretty well." ~ Noble Larimer
Ronin will help creators get their teams together and will help them make their projects the best they can be. You couldn't ask for more than that.
"Ronin has since grown by leaps and bounds. I found the perfect artist for Future's End in Vicente. His work and commitment are both amazing. Ronin has released 14 books over the course of a year, and there's another 30-40 on schedule for the remainder of 05. I've got to meet and work with some of the nicest, most talented people you could ever hope to meet. All in all, despite a few bumps and hiccups, life has never been better." ~ Noble Larimer
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Ronin has big plans for the future as well, as they are already looking into worldwide distribution, setting up a cohesive superhero universe, and has goals to become a publisher within five years. They've come a long way and have a long way to go to reach the point they are striving for. But the important thing is they are out there doing it. They are making the books, hitting the cons, making contacts and basically getting things done.
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So now that we know where Ronin came from and what they've done, and where they intend to go, how about what they're doing right now? I'm glad you asked.
As stated before, currently Ronin has 30-40 projects on schedule for the remainder of 2005 from over 300 creators, and 14 titles available through comixpress. These titles vary in genre and content, but don't take my word for it, check them out:
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Future's End Preview Issue |
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Get in on the ground floor of THE Ronin event of 2005! This preview book contains the first 12 pages of the first issue, character sketches, pin ups by industry pros, and much more! 24 pages for the low price of $1.50! By Ronin Studios EIC Noble Larimer, and featuring the blistering art of Vicente Cifuentes! After a small scale nuclear war pretty much throws society into a tailspin, four friends are struggling just to survive on a day to day basis. Complicating matters is that one of the friends is destined to be the wielder of a Darkstar. One of six mystical weapons instrumental in the final fate of mankind. More info on Future's End can be found here. |
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Heartbreaker #1 |
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A victim of sexual abuse, and pushed to the breaking point, Roseanne Sanchez forms Heartbreakers. Tired of being a victim, she uses her sensuality as a weapon in her war on crime. Scumbags of the city beware! Written by Marc Shapiro with art by Andrea Blanco and Alejandro Alvarez Full color version here. |
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Prey |
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The dead walk among us, and they are killing the living! What do you do when the world is falling apart, people are dying all around you, and you discover your nothing more than Prey? Brought to you by Wasteland writer Kieran Murphy.
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Ronin Illustrated #1 (Alt Cover B) |
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Ronin Illustrated #1 is the
first issue of a bi-monthly anthology series, and features
five short stories, ranging from cold-blooded crime to
wacked-out comedy to nail-biting action! This is the same comic as Ronin Illustrated #1 (Alt Cover A) |
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Ronin Illustrated #2 |
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The second issue in Ronin Studios' ongoing anthology series! Featuring the concluding chapter to Senshi, plus our EIC Noble Larimer's hilarious take on super speedsters! Featuring Steve Zegers, Pedro Cruz, Michael Wood, and the debut of the dynamic art team of Donal Delay and Jeffery LaJaunie! |
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Ronin Illustrated #3 |
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The bi-monthly anthology madness from Ronin Studios continues! Featuring the debut of The Gatecrashers(soon to be a mini series later in 05) by Mike Williams. The stunning art of Erfan Fajar on A happier place, more off the wall insanity from the Ronin EIC Noble Larimer, and the debut of Dreamaker Studios art at Ronin! Horror, drama, action, and comedy...Ronin Illustrated has it all! |
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Scar Tissue #1 |
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Ben is a sickly teenager who is given a second chance at life after a successful heart transplant. While in recovery, he begins to develop supernatural powers he can't explain. When Ben finds out the heart came from a murdered super-villain, all hell breaks loose... literally! This is the first chapter in a 4-part story arc that puts a new spin on what it means to be a reluctant hero. Color Version here. |
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The Venger: Dead Man Rising |
| Crime and despair. Violence and fear. The city is under siege. Years ago it had a protector, the Venger, who brought his justice to those who brought evil. Now he is old and memories of him have faded from the minds of the people. But the enemy and his brand of evil have returned and no one else understands. He will be needing help this time. A new Venger will take up the fight. But how far will he go to destroy the enemy. And will he destroy his family in the process? | |
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Tyr #1 |
| The beginning of a brand new saga. Follow the journey of a young man faced with having to save the world from the beginning. Created by Craig Maloof and Art by Alex Lancaster. | |
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Tyr #2 |
| The journey continues as Typhi comes closer to his destiny. The second issue of the first arc, "Beginnings", brought to you by the team of Craig Maloof and Alex Lancaster. | |
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Varied Scaries #1 |
| The newest anthology from the creators of Ronin Illustrated! This ongoing horror anthology comes with a unique twist, each story although created by entirely different teams, continues from the previous one! In the first issue alone we deal with werewolves, zombies, hitmen, and so much more! 32 pages of blood curdling madness from Ronin Studios. | |
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Wasteland |
This is a one shot, full color 22 pg book about a father trying to find his estranged son, only for him to discover that his son has become a ruthless killer. Set against the backdrop a world in the grip of a second ice age, Wasteland tells the story of a man trying to save his son in a world gone mad. (Title is now called Frozen Wasteland through Arcana) |
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These can all be found at Ronin Studios' comixpress catalog page.
Other projects Ronin has published include:
Bits and Pieces -
A
collection of some of the short stories that have spewed forth from
the imagination of Noble Larimer. From super speedster hijinks to
drunken superhero bar brawls to zombie cowboys, and the horror that
is the Popsicle, this anthology has it all!
Gwailo -
Ronin Frost, the
wielder of the legendary dragon swords has become the stuff of
legends. A mythical swordsman to scare local theives and highwayman
into a life of virtue. When Lord Nesaj, an all powerful
swordfighter, driven insane in his lust for power threatens the
safety of the seven kingdoms, Kira and sanuh must stop him. Now on
the run from Nesaj, their only hope for saving the kingdoms lies in
Frost. A man who may or may not even exist!
The Path to Armageddon -
The story of four ruthless bastards who stumble upon something that
changes them forever, granting them near limitless power...how does
this affect them? Will it change them for the better?

Renaissance Man - What do you do when you come in possession of a time machine? What any hot blooded American man would, use it to sleep with as many people as you can! Erotic humor that should come with a warning label!
Shylock -
Dominick
"Shylock" Cevario is an old school mobster finding it tough to lead
his crew in these "Sopranos" times as hard work and loyalty have
taken a backseat to Hollywood ideals and personal glory. One of
Dom's crew members is starting to cause problems in and outside of
the crew. Will Dom be able to diffuse the situation before the
family implodes?
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And speaking of comic offerings and current events, Ronin members have made themselves very accessible by making the major conventions this season with no plans to slow down. Already having made Wizard World Philly, and currently at the San Diego Comic-Con International, Ronin plans big things for Wizard World Chicago as well.
In Philly, over a dozen Ronin members manned the tables and displayed several of the titles listed above. They were out in big numbers and people took notice.






The Ronin booth ran non-stop with everyone from Batman, to Stormtroopers, to Bendis and Oeming stopping by to pick up the latest Ronin offerings. All-in-all, this was a great weekend for Ronin.
San Diego Comic-Con International
Here's the official release of what's
going down in SD from Ronin:

RONIN STUDIOS TAKES OVER SAN DIEGO
This coming weekend, are you heading out to the San Diego Comic-Con?
Well, to make the most of your convention experience, be sure to
swing by the RONIN STUDIOS booth for some of the best indie
comics in production, as well as a bevy of great deals. RONIN
STUDIOS location is at booth #1032 (or #618) and the creators in
attendance include:
Pat & Tim Loika
J. Andrew Clark & Dave Wachter
John Culjak
Marc Shapiro
Mike Woods
Diana Greenhalgh
Steve Zegers
Chris Maze
Some of the books to keep an eye out for at the Ronin Studios booth
include:
THE PATH TO ARMAGEDDON #1
SCAR TISSUE #1 & 2
RENAISSANCE MAN #1
HEARTBREAKER #1
SHYLOCK #1
RONIN ILLUSTRATED #2 and #3
FUTURE'S END PREVIEW BOOK
VARIED SCARIES #1, and #2
BITS AND PIECES #1
In addition, Ronin will be giving away FREE stickers and postcards as well as the resident artists doing sketches. Be sure to check out the Ronin Heroes & Villains posters beautifully rendered by Vincente Cifuentes (FUTURE'S END).
More updates on Ronin happenings from the Con next weekend in the SDCC indy feature!
From the man himself:
"Wizchicago of this year is shaping up to be a monster event for Ronin studios. 4 consecutive tables in artists alley, 30-35 books for sale, posters, prints, stickers, and 30+ Ronin creators to sign, meet, and generally laugh at." ~ Noble Larimer
Other cons Ronin members will be representin' at are:
For more Ronin Convention goodness, check out the Convention section on their forums here.
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If you think the states is the only place Ronin books are available guess again. Thanks to a recently brokered deal with Canadian Comics beginning in August all Ronin titles will be readily available in Canada!
"Ronin
has long since expanded past anything I initially thought it would
be. It seems like every day is a new surprise. My goal is to get our
stories into as many readers' hands as possible. Not for monetary
gain mind you, just because we want to entertain people. Money is
nice, don't get me wrong, but it is way down on the list of reasons
for why I started Ronin.
With the new Canadian readers, I hope that we can reach and
entertain an entirely new audience. If at the end of the day, a new
reader picks up a Ronin book and says
'wow this was great', than it's been a good day." ~ Noble Larimer
Here is a list of titles available by month in Canada:
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AUGUST |
SEPTEMBER |
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OCTOBER |
NOVEMBER |
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So Ronin is doing what they do for the love of it, right? They started small, and within a year are brokering deals to distribute titles in other venues, and have 22 books on the virtual shelves, with plans to have them available on physical shelves soon. But that could be for profit as well as for the love it. But no one can deny the purpose of doing a charity book, which is what Ronin did.
In
light of the tsunami that claimed many lives and caused mass
destruction, Ronin decided to give make
something
to generate relief funds for those who suffered.
Contributors from Ronin, Arcana and others came together to create the anthology titled Hope, which is expected to debut at Wizard World Chicago (Chicago exclusive cover from Arcana on the right) if all goes well. All proceeds from the book will be sent to charities that support the victims of the tsunami.
There's no denying Ronin's (and everyone involved) love for the industry and their compassion and drive to do something special.
Check out a preview of the anthology here, and more info here and here.
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There are so many things going on at Ronin right now it would be impossible for me to list them all within the confines of this column. However, I will have as comprehensive of a list of links as I can possibly fit at the end for you all to be able to read anything and everything about Ronin creations.
Speaking of Ronin creations, Matthew Spatola, writer of The Venger: Dead Man Rising, who gave me the idea for this column also suggested another piece, which I thought was an excellent idea. And since it's a Ronin book and this is a Ronin feature, we figured this would be a good place for it. What Matt has done is shared with us his process that goes into writing an issue of The Venger, which promises to be an enlightening and inspiring read for all of us wannabe writers out there. Matt takes us behind the scenes and shows exactly what goes into each issue. But rather than explain it further, I'll let the man himself do the talking.
The Venger: Dead Man Rising - The Writing Process by Matthew Spatola
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Matt's the guy on the right. |

"My writing process.
You know as I think about the process I use in my writing I realize, as you do too I'm sure, that what works for me probably won't work for others. And sometimes I think it doesn't work for me. Well it does, I just would love to be able to shorten it and save some time.
I'm going to focus this on my writing of The Venger: Dead Man Rising, the book I'm 'known for, I guess, which sounds so conceited and ridiculous as I write it. Here's some back-story on the series, since mostly everyone in the world hasn't heard about it.
The book focuses on Alexander Cabot, a former crime fighter from the 1930s, a la The Shadow, who now is an old man. After a crime wave and series of murders cripples the city he comes to realize that his old nemesis has returned. Now he must convince his grandson Michael, a police detective working the murders case, that he knows who is the killer and how he knows. But will Michael believe him or think he is just a crazy old man. And will Alexander's drive to destroy his old enemy destroy his family instead?
That's a quick summary of what the series is about. I had that idea or premise in my head for many years before I finally started putting it down on paper and writing it out. In my mind I knew every scene, could recite the dialogue and describe the every twist and turn. But that is not a script and since I am not drawing the book I had to convert the pictures in my head to words the artist, Jason Ossman, could use to create the visuals for the book.
My first step was to do an outline. Basically I took a piece of
paper and just wrote in a list form all the
major plot points in
the order in which they occur. Then I took that list and
started grouping them together into what would happen in
individual issues. That gave me the the bare skeleton of the
plot for the book. Now I would build on what I had.
What I do next is I get my trusty, old-school marble composition book and start. First I draw 22 rectangles in it representing the 22 pages of comic story in an issue. I try to break down the plot into those panels, going so far as to do panel layout and descriptions. I put little notes in the panels and even draw in little stick figures to show character placement in the panel and to better see the 'flow' or pacing of the story. This helps me keep the series very reality based with the pacing. I try to play the story as a movie in my mind as I script it out and that also helps me to keep a tight focus on the plot and not waver off.
So now I have my little 'pages', or windows as my 3 year-old calls them, all filled in with my idea of the number of panels and there placement on the pages. Now comes the long. involved part. I write out, by hand, the full script. I use the breakdowns I did as my guide and then fully script each page with individual panel descriptions and the dialogue. Jason likes it that way too so I got lucky there. We do however differ on things occasionally. Sometimes the angles or shots I describe won't work as nicely as I might think and Jason comes up with a different take on the scene. And he is always right. We included a couple of pages of my script and Jason's unfinished pencils in the back of #1 to show how he changes things for the better sometimes.
In the actual writing I spend the most time attempting to make
the characters and their dialogue sound as close to normal, real
conversation as possible. I don't like to write 'comic book'
stereotype dialogue. So I end up reading my stuff aloud several
times, even dragging my wife into reading the lines too. There
we are in the living room putting on our little Venger plays! Invariably I'm changing and editing and crossing out lines until
I'm finally satisfied and then the process starts again for the
next page.
I type the pages from my notebook into the computer every couple of pages and then email them to Jason. We like not to get too far ahead of each other. Usually by the time Jason's done with his pages I'm emailing new ones. He also then gives me feedback on the pages he just did, letting me know of any changes he made or if I might have too much dialogue in certain panels, which happens a lot I'm afraid.
Like I said in the beginning, this is my system and the system I'm using on this book and with Jason. I'm sure that different artists like scripting in different ways and I'll have to tackle that as I come to it.
So you can see that I have an involved style but I think it really works for me to capture the dialogue and pacing that I want for the story. We receive a lot of positive feedback about those two things. My problem is finding the time to do the writing. I have two kids and work a full-time job so usually I'm on the computer typing away in my spare moments or when the kids are in bed. I'll carry my notebook around with me to work so when I have time at work I'm scribbling away. And if you saw my handwriting you would know why I say scribbling.
But for all the times and lost hours of sleep it certainly has been worth it to me. It's given me a personal sense of achievement to see my story done and out there for others to read. Hopefully they will enjoy it as well."
For more information on Matt and The Venger, check out http://thevenger6.blogspot.com/.
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Thinking about joining up with Ronin for a book or two yet? I know, me too. So what exactly does it take to get in with Ronin? Well, following is the basic rundown, but for a more comprehensive explanation on how to get involved check out the FAQ on their Forums.
Basically Ronin kind of works like a co-op. If you're a writer and you want to bring your title under the Ronin banner then you send the idea to Noble (email is listed in the FAQ) for the greenlight. Once the title's on board there's an area on the forums where you can post looking for an artist. All the artists working with Ronin are aware of the percentage of sales deal in effect right now, so that's a hurdle you get to bypass unlike when you have to find an artist on your own. If your artist doesn't ink, letter or color (if you go with color) then Ronin will help, but are in short supply of those particular disciplines, (Inkers, Letterers and Colorists take note. It's percentage of sales, but it's GUARANTEED PUBLISHING! Can't beat that on your resume!), so you may have to wait in line a bit or find your own. This can be done by placing an ad on Digital Webbing, Penciljack, Outcast Studios, Jinxworld, Deviant Art, etc. Just make sure you specify the whole percentage of sales bit (unless you're paying out of your own pocket) in your ad.
Once you have the book completed then it's off to the printers. Now most of Ronin's stuff is printed through comixpress, and the creative team (usually the writers) generally cover the printing costs. And with guaranteed publishing, free editorial help and free help gathering your art team, it's a hard deal to beat. ALL profits go to the creative teams, not to Ronin. Then it takes a month or two to come out and you've got a printed book on your hands!
All in all, this is a pretty good deal for creator owned books.
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But creator owned books in separate universes and continuities aren't the only thing Ronin is working on. Right now it's the main thing, but down the line are plans for a cohesive superhero universe in which Ronin will own the characters and titles. Many Ronin creators have the superhero bug and wanted to do something to bring a cohesion within the confines of Ronin. Details on this are scarce right now, and it's not clear whether titles will have the option to move into the Ronin universe like the Imageverse, though my initial research showed they're leaning away from this, but all this will be revealed in time.
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In addition to all these wonderful projects Ronin is working on, there are many others I lack the time and space to fit in. There are anthologies based on plot-style scripts, World War II, Ronin in B.C., Dreams, and all Sci-Fi. There are new titles cropping up seemingly every day. It's an amazing workhouse in the virtual Ronin Studio. Following is a brief, but not all conclusive list of titles upcoming from Ronin in the near future.
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2100: The House Keepers |
Memories and Echoes: Remembering World War II |
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Absolute Zeroes |
Mortality Bus Stop & Grille |
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Animech |
Orbit |
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Awakenings |
Redemption |
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Dark City |
Ronin B.C. |
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DragonFyre |
Starting Over |
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Dream of Me |
Somnia |
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Heaven and Hell |
The Winter King |
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Hope |
Wayward Wolf |
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Leesway |
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So this is all great. You've heard all the hype and read my opinions about Ronin, but what do the creators say? Here's a little taste:
"I ink the title Shylock, which is
written by Shane Welker, with beautiful pencils by Mike Williams.
I was hounded by Noble about doing some work with Ronin long before
it was Ronin, but there was always something else I was working on
or waiting on that never came about. Finally I got the pencils
for the premier issue cover of the monthly anthology, Ronin
Illustrated, and from that spawned a short in R.I. #3, along with
Mike Williams.
Noble started a great thing here by enabling up and coming comic
creators the ability to intermingle and exposing newcomers of what
it takes to create a full book, going to shows to push it, and try
to get a start in this industry."
~ Tom Schloendorn, inker of Shylock
"My first experience with Ronin
actually came through Reyesart.com, as I had the site recommended to
me by two collaborators from a failed comic company. I started
posting there semi-regularly (rare, since I tend to be a lurker)
when this crazy guy (and I mean that with such love ^_^) posted up
about oppurtunities to get published. And having tried to get
published since 98 and still having no success, I jumped all over
this like a shark who smells blood in the water. This was how I was
introduced to Noble and the concept of Ronin Studios. I submitted
two scripts to Noble (who helped me get artists attached to them)
and a finished five-page comic titled "A Happier Place", which
ultimately got published in Ronin Illustrated#3. He also put up a
post that asked for writers to pitch for a horror anthology and I
took a chance on that as well... which ultimately morphed into
Varied Scaries and my contribution is in issue 2, titled "My Little
Babies".
Since then, I've brought all the projects I had in development at
that point with me to Ronin and since then created an ungodly amount
of new projects that I plan on publishing through Ronin Studios. I
credit Noble for my success, because of his drive to bring new
talent in I've been paired with some great artists like Bram Cayne,
who I can say has become a friend of mine, and I've been inspired to
create stories that I am very proud of... and can't wait to see
published. Honestly, I have done more in this year and a half at
Ronin that I have done in a 3 year span previous to that. I have a
book that's at the printers right now called Grimm... and it's just
amazing to me that I was able to meet Will Caligan, who created the
book and I only met due to my association with Ronin (as he
submitted art to me for a story I wrote for Ronin Illustrated) and
now I'll have my first whole book out. And I don't honestly think
that if I didn't take advantage of Noble's offer back on
Reyesart.com that I'd have that book out. I always remember Noble as
the guy who helped get my first two short stories printed and who in
a roundabout way, helped me launch my first book."
~ Ryan Brandt, Writer of several Ronin stories
"Some of our members have gone on to work with Image, Arcana, Alias, Speakeasy, Antarctic, Avatar, and Oni press."
~ Noble Larimer, EIC and Founder of Ronin Studios
With support and exposure like that, it's no wonder Ronin is making waves in the small press pool!
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This has been quite the journey through Ronin's works and has been an eye-opening experience for even myself, and I've followed Ronin since the beginning! There is so much there that I could not possibly do it justice. I just hope something in this column entices you to give them a shot!
To help you get all the info on Ronin you could possibly consume below I am including links, upon links, upon links relating to Ronin information. I have links to the various features on this very site, resources I culled much of my information for this column from, and articles and columns from various sites that also share the love and support for the great things happening at Ronin Studios.
Comic Avalanche Features:
http://www.comicavalanche.com/Interviews/kieranmurphy.htm
http://www.comicavalanche.com/interviews/spatola.htm
http://www.comicavalanche.com/Interviews/cano.htm
http://www.comicavalanche.com/Interviews/craigmaloof.htm
http://www.comicavalanche.com/indy/indyten.htm
http://www.comicavalanche.com/indy/indymusthave.htm
Cited Resources:
http://www.comicbookresources.com/?page=article&id=5268
http://www.silverbulletcomicbooks.com/news/111766330114592,print.htm
http://www.penciljack.com/forum/showthread.php?t=58877
http://comics.ign.com/articles/625/625422p1.html
Miscellaneous Ronin Related Links:
http://www.scartissue-comic.com/
http://dianathirring.deviantart.com/
http://thevenger6.blogspot.com/
http://nnee.deviantart.com/gallery/
http://iamragmar.deviantart.com/
http://nevermorestudios.deviantart.com/
http://mechangel2002.deviantart.com/
http://www.freewebs.com/rabverse
http://madman1.deviantart.com/
http://vikthor.deviantart.com/
If there is any way possible you didn't get your Ronin fix from all that, then check back next week for any con coverage involving Ronin Studios.
So if you're out there reading this and want your stuff covered, then send me an email and I'll hook you up, 'cause that's how I roll!
B.-Out
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Brant W. Fowler / Writer, Letter, Creator, Reviewer, Columnist and Comic Related PR Coordinator
Brant W. Fowler has been a professional comic book letterer and logo designer for three years, and has been a freelance editor for the past five years. He has also worked with graphic design, writing and many other area of skills for several years honing his talents. You can learn all about what he's up to by visiting Gonzogoose
Design. Brant is also a member of the core
operations team at Comic Related.
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